The tragedy of feeling replaceable is exemplified by Toy Story 2‘s Jessie, whose hopes of being wanted again lie solely in being part of a collection to be shown in a museum. ‘s Sully believes the toddler he’s looking after, Boo, has been crushed in a trash compactor. In a similar scene to the above example, Monsters, Inc. That said, the audio that Mr Incredible hears in captivity makes him believe they all died in the explosion, leading him to stew in a state of furious grief. When the three of them arrive at Mr Incredibles’ location, the evil Syndrome sends missiles at them, which destroy the plane – though luckily, the Parrs make a daring escape. When Mr Incredible gets captured in The Incredibles, his wife follows in a jet, and his children sneak on board too. Bob thinking his family is dead in The Incredibles In the context of the film, though, it’s basically like looking at a wall of corpses.Ĩ. When they move to Paris, his dad explains to him what humans do to rats by showing him a window full of dead rats in traps: it’s the storefront of a Parisian pest control company that exists in real life (Aurouze). In Ratatouille, Rémy is a rat that wants to be a chef, much to the chagrin of his garbage-eating family. Their attempts to use a rocket car to get out of the deletion zone fail repeatedly, until Bing Bong realises how he can help Joy escape: he sacrifices himself, jumping off as the car takes off, disappearing tragically into oblivion along with Riley’s useless memories as Joy rides to safety.ħ. Here they encounter Riley’s childhood imaginary friend, Bing Bong, who tries to guide them back to their headquarters, only for him and Joy to fall into the ‘Memory Dump’. In this tale of emotions causing havoc inside Riley’s mind, Joy and Sadness find themselves accidentally trapped in Long-Term Memory. It’s tragic too, though: after Carl marries his childhood sweetheart, Ellie, she suffers a miscarriage, they are unable to have children, and she predeceases him, leaving him thorny and alone in old age. Up begins with a notoriously beautiful silent montage that tells the story of Carl’s life. Not only do we see all these deaths – by hurricane, jet engine, rocket, elevator shaft – we also see the evil Syndrome getting his comeuppance at the end of the film when his own cape is swallowed by a plane engine, along with him. In 2004’s awesome superhero animation, super-fashionista Edna Mode objects strongly to Mr Incredible’s request for a cape by listing the ways capes have led to superhero deaths over the years. It’s an extreme and depressingly plausible way to begin the cautionary tale. Instead they live on a spaceship and subsist on screens and snacks: here, the species has grown bloated and childlike. The tragedy is twofold: first, the little critter is hopelessly alone and keeps himself company with romantic old films second and perhaps more serious is the fact that humanity has totally destroyed the planet, making life on Earth near-impossible. 2008’s Pixar film focussed on the lovable robot Wall-E, who amiably carries on his job of tidying up the earth after humans have all left.
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